1. Open the Templates panel
Every graphic previews in place. The panel tells you where the playhead is, so you know exactly where Add will drop it. The library comes with the Creator and Studio plans.
Click Add and the graphic lands at the playhead. Thirteen of them are drawn live, so the words are yours to type. The other forty-five are transparent overlays you trim, place, and stack over your footage.
Nothing to download, nothing to conform, no plugin to keep in step with a host app. The library is already open in the editor you are working in.
Every graphic previews in place. The panel tells you where the playhead is, so you know exactly where Add will drop it. The library comes with the Creator and Studio plans.
It lands on the motion track above your footage with its own in and out points, so it never disturbs the cut underneath it.
The thirteen live templates — titles, lower thirds, kinetic type, CTA buttons, counters, progress bars, callouts, stamps, headlines, chips, steps, flows, tips — take your text, your accent colour, and your position. Nothing is baked in.
The forty-five pre-rendered graphics are transparent 1920×1080 clips a few seconds long: candlesticks, a model leaderboard, compare bars, line growth, chat and notification scenes, a phone showcase, confetti, a shockwave, matrix rain. Move, scale, retime, or stack them, and layer your own text on top.
Renders happen on your own machine: MP4 or GIF, 1080p on any plan, 4K on Creator and Studio where your browser supports it. 15 credits per minute at 1080p, 30 at 4K, rounded up.
A preset pack is a folder of files you have to import, conform, and keep somewhere. A plugin is a look that breaks the week the host app updates. Here the graphic is a layer on the motion track with in and out points, a position, a scale, and — on the live templates — your words, so changing it is an edit rather than a re-export.
Ask for the change instead of making it if you prefer: the built-in edit assistant takes the instruction, and Null MCP hands the same tools to Claude, Codex, or Cursor.
Creator ($29 a month, or $21 a month billed yearly) and Studio ($99 a month, or $69 billed yearly). Starter covers cuts, captions, text and shape layers, keyframes, and zooms, but not the library.
In the thirteen live ones, yes — the text, the accent colour, the position, and the size are properties you edit, and the graphic redraws. The forty-five pre-rendered overlays are finished animations: you place, scale, trim, and stack them, and put your own text layer over the top.
Yes. Save them in a brand kit and apply it, or set them per layer. Studio plans can share a kit per client across the team.
No. Null Studio renders on your device, so there is no queue, and your source footage is not uploaded to wait in one.
Not yet. You can build the graphic from text, shape, and image layers, keyframe it, and save the project file to reopen later, but saving your own entry into the shared library is not something Null does today.
Null Motion
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